
The Reed and the Cursor
Cairo, Kyoto, Istanbul
Every stroke a calligrapher makes has a pressure curve. Variable fonts have an axis. This exhibition puts the two side by side.
1 August to 25 October 2026
View exhibitionGraphic Design
Modular alphabets built from a handful of repeated parts, from carved wood blocks to the poster shops using them now.

Interlocking teardrop-shaped wooden blocks in beige and tan, arranged into a symmetrical repeating pattern.
A modular alphabet is a bet: that a small set of shapes, recombined, can carry a whole language. Zellige tile cutters in Fez made that bet, so did Oaxacan block printers, so did the Dessau workshops, and each arrived somewhere different.
The exhibition lays three historic systems flat and then hands their parts to four contemporary studios. Visitors can set a line themselves at a working table of cast blocks, print it, and take it away.
A wall of printed attempts, kept in the order they were made, records what happens when a system meets a language it was never cut for.
Access passes cover the gallery, the reading room and the source documents. Free for makers, students and anyone named in the work.